Performing embodiment in Samuel Beckett's drama /
Anna McMullan.
- New York, NY : Routledge, 2010.
- x, 186 p. ; 24 cm.
- Routledge advances in theatre and performance studies ; 12 .
Includes bibliographical references (p. [163]-176) and index.
Introduction -- Dehiscent bodies : from Le Kid to Eleutheria -- Intercorporeal performances and the hauntings of history in Waiting for Godot and Endgame -- This visible flesh : Krapp's last tape and Happy days -- Mimes and fragments : corporeal laboratories -- Radiophonic embodiments -- The flesh of the screen and the "eye of prey" : Beckett's film -- Unhomely semblances and the televisual matrix -- The late theatre : performing traces of embodiment -- Mutated bodies : stage performances of Beckett's late prose texts -- Conclusion : re-embodying Beckett's drama in the twenty-first century.