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Guide to Computing for Expressive Music Performance (Record no. 21128)

000 -LEADER
fixed length control field 04525nam a22005055i 4500
003 - CONTROL NUMBER IDENTIFIER
control field OSt
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20140310151111.0
007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION
fixed length control field cr nn 008mamaa
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 120731s2013 xxk| s |||| 0|eng d
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9781447141235
978-1-4471-4123-5
050 #4 - LIBRARY OF CONGRESS CALL NUMBER
Classification number NX260
082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER
Classification number 004
Edition number 23
264 #1 -
-- London :
-- Springer London :
-- Imprint: Springer,
-- 2013.
912 ## -
-- ZDB-2-SCS
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Kirke, Alexis.
Relator term editor.
245 10 - IMMEDIATE SOURCE OF ACQUISITION NOTE
Title Guide to Computing for Expressive Music Performance
Medium [electronic resource] /
Statement of responsibility, etc edited by Alexis Kirke, Eduardo R. Miranda.
300 ## - PHYSICAL DESCRIPTION
Extent XIV, 262 p. 75 illus., 3 illus. in color.
Other physical details online resource.
505 0# - FORMATTED CONTENTS NOTE
Formatted contents note An Overview of Computer Systems for Expressive Music Performance -- Systems for Interactive Control of Computer Generated Music Performance -- Expressive Performance Rendering with Probabilistic Models -- Artificial Evolution of Expressive Performance of Music -- Modelling, Analysing, Identifying and Synthesizing Expressive Popular Music Performances -- Statistical Approach to Automatic Expressive Rendition of Polyphonic Piano Music -- Evaluation of Computer Systems for Expressive Music Performance -- Computational Music Theory and its Applications to Expressive Performance and Composition -- Anthropomorphic Musical Robots Designed to Produce Physically-Embodied Expressive Music Performances.
520 ## - SUMMARY, ETC.
Summary, etc Musicians are able to produce an expressive performance of a fixed score by varying the tempo and dynamics of their playing. This is in contrast to computers and sequencers that historically performed tunes in perfect metronomic time, resulting in a “mechanic” sound. This unique guide/reference presents a broad overview of the work being carried out by the expanding research community dedicated to investigating computer systems for expressive music performance (CSEMPs), covering a significant number of the systems available today. The book discusses all aspects of computing for expressive performance, from the history of CSEMPs to the very latest research, in addition to discussing the fundamental ideas, and key issues and directions for future research. Topics and features: Includes review questions at the end of each chapter Presents a survey of systems for real-time interactive control of automatic expressive music performance, including simulated conducting systems Examines two systems in detail, YQX and IMAP, each providing an example of a very different approach Introduces techniques for synthesizing expressive non-piano performances Addresses the challenges found in polyphonic music expression, from a statistical modelling point of view Discusses the automated analysis of musical structure, and the evaluation of CSEMPs Describes the emerging field of embodied expressive musical performance, devoted to building robots that can expressively perform music with traditional instruments This comprehensive reference is an essential resource for researchers, advanced undergraduates and postgraduates interested in computing for expressive music performance. Music practitioners, music undergraduates, and the general reader will also gain much insight and inspiration from this fascinating text. Prof. Eduardo R. Miranda is a composer and Professor in Computer Music at Plymouth University, UK, where he is Director of the Interdisciplinary Centre for Computer Music Research (ICCMR). Dr. Alexis Kirke is a Research Fellow at ICCMR and composer-in-residency at the Marine Institute - Plymouth University.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Computer science.
Topical term or geographic name as entry element Multimedia systems.
Topical term or geographic name as entry element Artificial intelligence.
Topical term or geographic name as entry element Computer simulation.
Topical term or geographic name as entry element Information systems.
Topical term or geographic name as entry element Music.
Topical term or geographic name as entry element Computer Science.
Topical term or geographic name as entry element Computer Appl. in Arts and Humanities.
Topical term or geographic name as entry element Multimedia Information Systems.
Topical term or geographic name as entry element User Interfaces and Human Computer Interaction.
Topical term or geographic name as entry element Artificial Intelligence (incl. Robotics).
Topical term or geographic name as entry element Simulation and Modeling.
Topical term or geographic name as entry element Music.
700 1# - ADDED ENTRY--PERSONAL NAME
Personal name Miranda, Eduardo R.
Relator term editor.
710 2# - ADDED ENTRY--CORPORATE NAME
Corporate name or jurisdiction name as entry element SpringerLink (Online service)
773 0# - HOST ITEM ENTRY
Title Springer eBooks
776 08 - ADDITIONAL PHYSICAL FORM ENTRY
Display text Printed edition:
International Standard Book Number 9781447141228
856 40 - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier http://dx.doi.org/10.1007/978-1-4471-4123-5
942 ## - ADDED ENTRY ELEMENTS (KOHA)
Source of classification or shelving scheme
Item type E-Book
Copies
Price effective from Permanent location Date last seen Not for loan Date acquired Source of classification or shelving scheme Koha item type Damaged status Lost status Withdrawn status Current location Full call number
2014-04-08AUM Main Library2014-04-08 2014-04-08 E-Book   AUM Main Library004
Languages: 
English |
العربية