//]]>

Musical Performance (Record no. 21585)

000 -LEADER
fixed length control field 04203nam a22004215i 4500
003 - CONTROL NUMBER IDENTIFIER
control field OSt
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20140310151118.0
007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION
fixed length control field cr nn 008mamaa
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 101117s2011 gw | s |||| 0|eng d
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9783642118388
978-3-642-11838-8
050 #4 - LIBRARY OF CONGRESS CALL NUMBER
Classification number QA76.575
Classification number N7433.94
082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER
Classification number 006.7
Edition number 23
264 #1 -
-- Berlin, Heidelberg :
-- Springer Berlin Heidelberg,
-- 2011.
912 ## -
-- ZDB-2-SCS
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Mazzola, Guerino.
Relator term author.
245 10 - IMMEDIATE SOURCE OF ACQUISITION NOTE
Title Musical Performance
Medium [electronic resource] :
Remainder of title A Comprehensive Approach: Theory, Analytical Tools, and Case Studies /
Statement of responsibility, etc by Guerino Mazzola.
300 ## - PHYSICAL DESCRIPTION
Extent XV, 290 p.
Other physical details online resource.
440 1# - SERIES STATEMENT/ADDED ENTRY--TITLE
Title Computational Music Science,
International Standard Serial Number 1868-0305
505 0# - FORMATTED CONTENTS NOTE
Formatted contents note Part I Introduction -- 1 Introduction and Overview -- 2 List of Symbols -- 3 Short History of Performance Theory -- 4 Oniontology -- Part II Structure Theory -- 5 What Is Structure Theory?- 6 Tempo Curves -- 7 Tuning, Intonation, and Dynamics -- 8 Combining Tempo, Tuning, and Dynamics -- 9 Articulation -- 10 General Performance Fields -- 11 The Category of Performance Cells and Hierarchies -- Part III Expressive Theory -- 12 What Is Expressive Theory?- 13 Emotional Expression -- 14 Gestural Expression -- 15 Analytical Expression -- 16 Analytical Weights -- 17 Shaping Operators -- 18 Two Generic Models and the Challenge of Improvisation -- 19 String Quartet Theory -- Part IV Rubato: Model and Software -- 20 Performance Scores -- 21 Stemma Theory -- 22 Case Studies -- 23 Statistics -- Part V Inverse Performance -- 24 What Is Inverse Performance Theory?- 25 The Technical Setup -- 26 Schumann's Träumerei: Argerich vs. Horowitz -- 27 Rethinking Music Critique -- Part VI Epilogue -- 28 Summary of Performance Theory -- 29 Future Developments -- Part VII Bibliographic References, Music Examples, and Index -- References Bibliography -- Music Examples.
520 ## - SUMMARY, ETC.
Summary, etc This book is a first sketch of what the overall field of performance could look like as a modern scientific field but not its stylistically differentiated practice, pedagogy, and history. Musical performance is the most complex field of music. It comprises the study of a composition’s expression in terms of analysis, emotion, and gesture, and then its transformation into embodied reality, turning formulaic facts into dramatic movements of human cognition. Combining these components in a creative way is a sophisticated mix of knowledge and mastery, which more resembles the cooking of a delicate recipe than a rational procedure.  This book is the first one aiming at such comprehensive coverage of the topic, and it does so also as a university text book. We include musicological and philosophical aspects as well as empirical performance research. Presenting analytical tools and case studies turns this project into a demanding enterprise in construction and experimental setups of performances, especially those generated by the music software Rubato.  We are happy that this book was written following a course for performance students at the School of Music of the University of Minnesota. Their education should not be restricted to the canonical practice. They must know the rationale for their performance.  It is not sufficient to learn performance with the old-fashioned imitation model of the teacher's antetype, this cannot be an exclusive tool since it dramatically lacks the poetical precision asked for by Adorno's and Benjamin's micrologic. Without such alternatives to intuitive imitation, performance risks being disconnected from the audience.    
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Computer science.
Topical term or geographic name as entry element Algebraic topology.
Topical term or geographic name as entry element Computer Science.
Topical term or geographic name as entry element Media Design.
Topical term or geographic name as entry element Algebraic Topology.
710 2# - ADDED ENTRY--CORPORATE NAME
Corporate name or jurisdiction name as entry element SpringerLink (Online service)
773 0# - HOST ITEM ENTRY
Title Springer eBooks
776 08 - ADDITIONAL PHYSICAL FORM ENTRY
Display text Printed edition:
International Standard Book Number 9783642118371
856 40 - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier http://dx.doi.org/10.1007/978-3-642-11838-8
942 ## - ADDED ENTRY ELEMENTS (KOHA)
Source of classification or shelving scheme
Item type E-Book
Copies
Price effective from Permanent location Date last seen Not for loan Date acquired Source of classification or shelving scheme Koha item type Damaged status Lost status Withdrawn status Current location Full call number
2014-04-14AUM Main Library2014-04-14 2014-04-14 E-Book   AUM Main Library006.7

Languages: 
English |
العربية