000 -LEADER |
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03161cam a2200301Ii 4500 |
003 - CONTROL NUMBER IDENTIFIER |
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OSt |
005 - DATE AND TIME OF LATEST TRANSACTION |
control field |
20180129134324.0 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
fixed length control field |
170801s2012 enka b 001 0 eng d |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9781856697941 |
041 ## - Language |
Language code of text/sound track or separate title |
eng |
050 #4 - LIBRARY OF CONGRESS CALL NUMBER |
Classification number |
NK1530 |
Item number |
.H4456 2012 |
082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER |
Classification number |
741.609 |
Edition number |
23 |
Item number |
H477 |
655 #7 - INDEX TERM--GENRE/FORM |
-- |
31930 |
100 1# - MAIN ENTRY--PERSONAL NAME |
Personal name |
Heller, Steven. |
9 (RLIN) |
19244 |
245 10 - IMMEDIATE SOURCE OF ACQUISITION NOTE |
Title |
100 ideas that changed graphic design / |
Statement of responsibility, etc |
Steven Heller and Veronique Vienne. |
246 3# - VARYING FORM OF TITLE |
Title proper/short title |
One hundred ideas that changed graphic design. |
|
Title proper/short title |
Hundred ideas that changed graphic design. |
260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) |
Place of publication, distribution, etc |
London : |
Name of publisher, distributor, etc |
Laurence King Pub., |
Date of publication, distribution, etc |
2012. |
300 ## - PHYSICAL DESCRIPTION |
Extent |
216 p. : |
Other physical details |
ill. (chiefly color) ; |
Dimensions |
27 cm. |
504 ## - BIBLIOGRAPHY, ETC. NOTE |
Bibliography, etc |
Includes bibliographical references (pages 210-211) and index. |
505 00 - FORMATTED CONTENTS NOTE |
Title |
The book -- |
-- |
Body type -- |
-- |
Rub-on designs -- |
-- |
Rays -- |
-- |
Pastiche -- |
-- |
Pointing fingers -- |
-- |
Vanitas -- |
-- |
Clenched fists -- |
-- |
Monumental images -- |
-- |
Female archetypes -- |
-- |
Color blocks -- |
-- |
Ornamentation -- |
-- |
Decorative logotypes -- |
-- |
Naive mascots -- |
-- |
Entrepreneurship -- |
-- |
Metaphoric lettering -- |
-- |
Swashes on caps -- |
-- |
Texts as images -- |
-- |
Visual puns -- |
-- |
The square format -- |
-- |
Primitive figuration -- |
-- |
Propaganda -- |
-- |
The object poster -- |
-- |
Paper cutouts -- |
-- |
Manifestos -- |
-- |
Graphic design magazines -- |
-- |
Botanical geometry -- |
-- |
Calligrams -- |
-- |
Loud typography -- |
-- |
Asymmetric typography -- |
-- |
Red with black -- |
-- |
Supergraphics -- |
-- |
Supreme geometry -- |
-- |
Funny faces -- |
-- |
Expression of speed -- |
-- |
Corporate identity -- |
-- |
Dust jackets -- |
-- |
Found typography -- |
-- |
Ransom notes -- |
-- |
Design handbooks -- |
-- |
Avant-garde zines -- |
-- |
Collages -- |
-- |
Riddles and rebuses -- |
-- |
Photomontage -- |
-- |
Pictograms -- |
-- |
Floating heads -- |
-- |
Abstraction -- |
-- |
Triangulation -- |
-- |
Extreme close-ups -- |
-- |
The provocative gesture -- |
-- |
Motion graphics -- |
-- |
Night spectaculars -- |
-- |
Shadow play -- |
-- |
Good design -- |
-- |
Forced obsolescence -- |
-- |
Vibrating color -- |
-- |
Strips and panels -- |
-- |
Frame by frame -- |
-- |
Perfect rectangles -- |
-- |
Abstract graphs -- |
-- |
Dynamic diagonals -- |
-- |
Stencil type -- |
-- |
Comic lettering -- |
-- |
Parody -- |
-- |
Sustainable packaging -- |
-- |
Public service campaigns -- |
-- |
Branding campaigns -- |
-- |
Layering and overprinting -- |
-- |
Design thinking -- |
-- |
The grid -- |
-- |
Brand narratives -- |
-- |
White space -- |
-- |
Less is more -- |
-- |
Monoalphabets -- |
-- |
Film title sequences -- |
-- |
Big book look -- |
-- |
Nostalgia -- |
-- |
Illegibility -- |
-- |
Scan lines -- |
-- |
Teen magazines -- |
-- |
Culture jamming -- |
-- |
High contrast -- |
-- |
Psychedelia -- |
-- |
Split fountain -- |
-- |
Underground comics -- |
-- |
Record album covers -- |
-- |
Street slogans -- |
-- |
Sexual taboo busting -- |
-- |
Self-promotional publishing -- |
-- |
Tags -- |
-- |
Universal Pricing Code -- |
-- |
Vernacular -- |
-- |
French theory -- |
-- |
Do it yourself -- |
-- |
The fine print -- |
-- |
Magazine coverlines -- |
-- |
Guerrilla advertising -- |
-- |
Pixelation -- |
-- |
Ambigrams -- |
-- |
Designers' websites. |
520 ## - SUMMARY, ETC. |
Summary, etc |
The aim of this book is to determine, define, discuss, and illustrate the big ideas that created the critical mass that produced the art and craft of contemporary graphic design. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name as entry element |
Graphic arts |
General subdivision |
History. |
9 (RLIN) |
23277 |
|
Topical term or geographic name as entry element |
Graphic arts |
General subdivision |
Technological innovations. |
9 (RLIN) |
31928 |
|
Topical term or geographic name as entry element |
Design |
General subdivision |
Themes, motives. |
9 (RLIN) |
31929 |
655 #7 - INDEX TERM--GENRE/FORM |
Genre/form data or focus term |
History. |
Source of term |
fast |
700 1# - ADDED ENTRY--PERSONAL NAME |
Personal name |
Vienne, Veronique. |
Relator code |
author |
9 (RLIN) |
31931 |
942 ## - ADDED ENTRY ELEMENTS (KOHA) |
Source of classification or shelving scheme |
|
Item type |
Book |