| 000 -LEADER |
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| fixed length control field |
01931nam a2200277 i 4500 |
| 003 - CONTROL NUMBER IDENTIFIER |
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| control field |
jomaaum |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
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| control field |
20250725130704.0 |
| 006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS--GENERAL INFORMATION |
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m o d |
| 007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION |
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cr ||||||||||| |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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211125s2023||||enk o ||1 0|eng|d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9781009224031 |
| 050 00 - LIBRARY OF CONGRESS CALL NUMBER |
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| Classification number |
PN2592 |
| Item number |
.C73 2023 |
| 082 00 - DEWEY DECIMAL CLASSIFICATION NUMBER |
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| Classification number |
792.0942 |
| Edition number |
23 |
| Item number |
C886 |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
|---|
| Personal name |
Craig, Heidi, |
| Dates associated with a name |
1985- |
| 9 (RLIN) |
46975 |
| 245 10 - IMMEDIATE SOURCE OF ACQUISITION NOTE |
|---|
| Title |
Theatre closure and the paradoxical rise of English Renaissance drama in the civil wars / |
| Statement of responsibility, etc |
Heidi Craig . |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) |
|---|
| Place of publication, distribution, etc |
Cambridge : |
| Name of publisher, distributor, etc |
Cambridge University Press, |
| Date of publication, distribution, etc |
2023. |
| 300 ## - PHYSICAL DESCRIPTION |
|---|
| Extent |
x, 245 p. |
| 500 ## - GENERAL NOTE |
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| General note |
Title from publisher's bibliographic system (viewed on 03 Mar 2023) |
| 520 ## - SUMMARY, ETC. |
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| Summary, etc |
Focusing on the production and reception of drama during the theatre closures of 1642 to 1660, Heidi Craig shows how the 'death' of contemporary theatre in fact gave birth to English Renaissance drama as a critical field. While the prohibition on playing in many respects killed the English stage, drama thrived in print, with stationers publishing unprecedented numbers of previously unprinted professional plays, vaunting playbooks' ties to the receding theatrical past. Marketed in terms of novelty and nostalgia, plays unprinted before 1642 gained new life. Stationers also anatomized the whole corpus of English drama, printing the first anthologies and comprehensive catalogues of drama. Craig captures this crucial turning-point in English theatre history with chapters on royalist nostalgia, clandestine theatrical revivals, dramatic compendia, and the mysteriously small number of Shakespeare editions issued during the period, as well as a new incisive reading of Beaumont and Fletcher's A King and No King |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name as entry element |
Theater and society |
| 9 (RLIN) |
46976 |
|
|---|
| Topical term or geographic name as entry element |
17th century |
| 9 (RLIN) |
37202 |
|
|---|
| Topical term or geographic name as entry element |
English drama |
| 9 (RLIN) |
46977 |
|
|---|
| Topical term or geographic name as entry element |
Theater audiences |
| 9 (RLIN) |
46978 |
| 651 ## - SUBJECT ADDED ENTRY--GEOGRAPHIC NAME |
|---|
| 9 (RLIN) |
42553 |
| Geographic name |
England |
| General subdivision |
Civilization |
| Chronological subdivision |
17th century. |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
|---|
| Source of classification or shelving scheme |
|
| Item type |
Book |
