| 000 -LEADER |
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| fixed length control field |
03700cam a2200349 i 4500 |
| 003 - CONTROL NUMBER IDENTIFIER |
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| control field |
jomaaum |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
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| control field |
20250725124241.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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| fixed length control field |
210715t20222022nyua b 001 0 eng |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| International Standard Book Number |
9781032114453 |
|
|---|
| International Standard Book Number |
0367257343 |
|
|---|
| International Standard Book Number |
9780367257347 |
|
|---|
| International Standard Book Number |
1032114452 |
| 041 ## - Language |
|---|
| Language code of text/sound track or separate title |
eng |
| 050 00 - LIBRARY OF CONGRESS CALL NUMBER |
|---|
| Classification number |
PR2976 |
| Item number |
.F39 2022 |
| 082 00 - DEWEY DECIMAL CLASSIFICATION NUMBER |
|---|
| Classification number |
822.33 |
| Edition number |
23 |
| Item number |
F287 |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
|---|
| Personal name |
Fazel, Valerie M., |
| Relator term |
author |
| 9 (RLIN) |
47040 |
| 245 14 - IMMEDIATE SOURCE OF ACQUISITION NOTE |
|---|
| Title |
The Shakespeare multiverse : |
| Remainder of title |
fandom as literary praxis / |
| Statement of responsibility, etc |
Valerie M. Fazel and Louise Geddes |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) |
|---|
| Place of publication, distribution, etc |
New York : |
| Name of publisher, distributor, etc |
Routledge, Taylor & Francis Group, |
| Date of publication, distribution, etc |
2022. |
| 300 ## - PHYSICAL DESCRIPTION |
|---|
| Extent |
xiii, 236 p. : |
| Other physical details |
ill. ; |
| Dimensions |
24 cm. |
| 490 1# - SERIES STATEMENT |
|---|
| Series statement |
Routledge studies in Shakespeare |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
|---|
| Bibliography, etc |
Includes bibliographical references and index |
| 505 0# - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
Multiverse, part one: Ode to Ophelia -- Introduction: the pleasures of cyborg reading -- Multiverse, part two: The patient must minister to himself, or, William and the doctor -- The archontic multiverse: a theory of Shakespeare's big bang -- Multiverse, part three: Prince's shadow -- "The thing itself": paratexts and new Shakespeare genealogies -- Multiverse, part four: Four songs for Lady Macbeth -- Taking out the (Shakespeare) trash: illegitimate knowledge and Shakespeare's losers -- Multiverse, part five: Hamlet's buzz -- Your fave is problematic: antefandom, anti fandom, and the problem of will -- Multiverse, part six: The red right hand -- Conclusion: Shakespeare and the cyborg self |
| 520 ## - SUMMARY, ETC. |
|---|
| Summary, etc |
"The Shakespeare Multiverse: Fandom as Literary Praxis argues that fandom offers new models for a twenty-first century reading practice that embraces affective pleasure and subjective self-positioning as a means of understanding a text. Part critical study, part source book, The Shakespeare Multiverse suggests that fannish contributions to the ongoing expansion of the object that we call Shakespeare is best imagined as a multiverse, encompassing different worlds that consolidate the various perspectives that different fans bring to Shakespeare. Our concept of the multiverse redefines 'Shakespeare' not as a singular body of work, but as space where a process of inquiry and cultural memory - memories in the making, and those already made - is influenced and shaped by the technologies available to the reader. Characteristic of fandom is an intertextual reading strategy that we term cyborg reading, an approach that accommodates the varied elements of identity, politics, culture, sexuality, and race that shape the ways that Shakespeare is explored and appropriated throughout fannish reading communities. The Shakespeare Multiverse intersects literary theory, fan studies, and popular culture as it traverses Shakespeare fandom from the 1623 Folio to the age of the Internet, exploring the different textures of fan affect, from those who firmly uphold fidelity to the text to those who sit on the very edge of the fandom, threatening to cross over into Shakespearean anti-fandom. By recognizing the literary value of fandom, The Shakespeare Multiverse offers a new approach to literary criticism that challenges the limits of hegemonic authority and recognizes the value of a joyfully speculative critical praxis"-- |
| 600 10 - SUBJECT ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Shakespeare, William, |
| Dates associated with a name |
1564-1616 |
| General subdivision |
Criticism and interpretation |
|
|---|
| Personal name |
Shakespeare, William, |
| Dates associated with a name |
1564-1616 |
| General subdivision |
Influence |
| 9 (RLIN) |
45459 |
|
|---|
| Personal name |
Shakespeare, William, |
| Dates associated with a name |
1564-1616 |
| General subdivision |
Adaptations |
| -- |
History and criticism |
| 9 (RLIN) |
42412 |
|
|---|
| Personal name |
Shakespeare, William, |
| Dates associated with a name |
1564-1616 |
| General subdivision |
In mass media |
| 9 (RLIN) |
45210 |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name as entry element |
Fan fiction |
| General subdivision |
History and criticism |
| 9 (RLIN) |
47041 |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Geddes, Louise, |
| Relator term |
author |
| 9 (RLIN) |
47042 |
| 830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE |
|---|
| Uniform title |
Routledge studies in Shakespeare |
| 9 (RLIN) |
45273 |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
|---|
| Source of classification or shelving scheme |
|
| Item type |
Book |
