| 000 -LEADER |
|---|
| fixed length control field |
01645cam a2200277 a 4500 |
| 003 - CONTROL NUMBER IDENTIFIER |
|---|
| control field |
OSt |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
|---|
| control field |
20190423125320.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
|---|
| fixed length control field |
091002s2010 nyua b 001 0 eng |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| International Standard Book Number |
9780415871396 |
|
|---|
| International Standard Book Number |
0415871395 |
| 041 ## - Language |
|---|
| Language code of text/sound track or separate title |
eng |
| 050 00 - LIBRARY OF CONGRESS CALL NUMBER |
|---|
| Classification number |
PN1995.9.H6 |
| Item number |
H355 2010 |
| 082 00 - DEWEY DECIMAL CLASSIFICATION NUMBER |
|---|
| Classification number |
791.436164 |
| Edition number |
22 |
| Item number |
H355 |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
|---|
| Personal name |
Hanich, Julian, |
| Dates associated with a name |
1975- |
| 9 (RLIN) |
3790 |
| 245 10 - IMMEDIATE SOURCE OF ACQUISITION NOTE |
|---|
| Title |
Cinematic emotion in horror films and thrillers : |
| Remainder of title |
the aesthetic paradox of pleasurable fear / |
| Statement of responsibility, etc |
Julian Hanich. |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) |
|---|
| Place of publication, distribution, etc |
New York : |
| Name of publisher, distributor, etc |
Routledge, |
| Date of publication, distribution, etc |
2010. |
| 300 ## - PHYSICAL DESCRIPTION |
|---|
| Extent |
x, 301 p. : |
| Other physical details |
ill. ; |
| Dimensions |
24 cm. |
| 440 #0 - SERIES STATEMENT/ADDED ENTRY--TITLE |
|---|
| 9 (RLIN) |
6846 |
| Title |
Routledge advances in film studies ; |
| Volume number/sequential designation |
5 |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
|---|
| Bibliography, etc |
Includes bibliographical references and index. |
| 505 0# - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
Introduction -- How to describe cinematic fear, or why phenomenology? -- Multiplexperiences : individualized immersion and collective feelings -- Frightening fascination : a phenomenology of direct horror -- Intimidating imaginations : a phenomenology of suggested horror -- Startling scares : a phenomenology of cinematic shock -- Anxious anticipations : a phenomenology of cinematic dread -- Apprehensive agitation : a phenomenology of cinematic terror -- Moments of intensity : lived-body metamorphoses and experienced time -- Moments of collectivity : the cinema of fear and feelings of belongingness -- The end. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name as entry element |
Horror films |
| General subdivision |
History and criticism. |
| 9 (RLIN) |
3791 |
|
|---|
| Topical term or geographic name as entry element |
Thrillers (Motion pictures) |
| General subdivision |
History and criticism. |
| 9 (RLIN) |
3792 |
|
|---|
| Topical term or geographic name as entry element |
Motion picture audiences. |
| 9 (RLIN) |
3793 |
| 856 42 - ELECTRONIC LOCATION AND ACCESS |
|---|
| Materials specified |
Contributor biographical information |
| Uniform Resource Identifier |
http://www.loc.gov/catdir/enhancements/fy1102/2009040612-b.html |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
|---|
| Source of classification or shelving scheme |
|
| Item type |
Book |
