Includes bibliographical references (p. [163]-176) and index.

Introduction -- Dehiscent bodies : from Le Kid to Eleutheria -- Intercorporeal performances and the hauntings of history in Waiting for Godot and Endgame -- This visible flesh : Krapp's last tape and Happy days -- Mimes and fragments : corporeal laboratories -- Radiophonic embodiments -- The flesh of the screen and the "eye of prey" : Beckett's film -- Unhomely semblances and the televisual matrix -- The late theatre : performing traces of embodiment -- Mutated bodies : stage performances of Beckett's late prose texts -- Conclusion : re-embodying Beckett's drama in the twenty-first century.